Monthly Archives: November 2016

San grafitti

I am trying to understand the relationship between the Sans tribe and the Nephelim giants. In the Bushman cave paintings done in African caves the giant people are sketched as potato like shapes… very dark.img_583ebab59cea0

In South American caves the Bushman portray the giants as white potato like figures. These Bushman artists maintain close adherence to their drawing stylesimg_581cb3938b981

The Sans painting on Australian walls maintains the same motifs. They seem to portray day to day activities and not be concerned with historical data.  Big butts are common. Male phalli are present…Breasts, some although not so much. There are often signs of over painting. You can see faint signs of erasure behind the graffiti in the top of the corbel

chamber in the pyramid. Lots of dancing. Why dancing? It must be another story.

What makes the “Sacred” Sacred – 1

Anything which emanates from or relates to Godhead is referred to as Sacred. Sacred Geometry reduces itself to this singular and infinite point.

The King’s cubit

The secret of the Ark is in it’s dimensions which describe the Golden Mean. The actual dimensions of the Ark are inconsequential it’s there to teach a concept. Once you understand Phi as an emanating proportion you create your own “on site” dimensions which will be particular to that exact location. The combination of the Sacred and King’s cubit allows you to build and inhabit structures of

Golden section

universal harmony.

The King’s cubit comes from the measurement of the King’s bones. The Sacred building cubit comes from the water well which is associated with all of

source of the universal cubit

the sites.

You understand how our moon effects Earth’s tidal water. The tides are in and out daily and easy to follow along with a moon’s calendar.

water marks of solstices

Get this, all the objects in the sky are held together by gravitational force in orbit and have a greater and lesser effect on Earth. Although the strongest influence is the moon

all of the planetary bodies effect the conditions of Earth’s water.

If you dig a well and chart the water level each day at sunrise between the summer and winter solstice you have a measurement of the earth’s tilt.

If you take a glass half full of water and tip it thirty degrees you’ll be kind of imitating what’s happening inside Earth.

Measure this distance between the marks from the tropic of Cancer to the tropic of
Capricorn. Until you have figured out the Golden Mean or Phi proportion, just divide that figure by 1.618.

Dancing cube emanating from the sacred dimension

San tribe cave art

 australian aboriginal rock art

Look closely into this group of hands and you see a sail boat pulled up to a pathway and there is a person walking up that path out of the picture. The hands and forearms act as trees and bushes around the shore line. In the left end of the boat a person, possibly two, is sitting holding what looks like a chopping adze. Up at the top of the picture is a little king like figure with a large streaming headdress. The cording on this head dress shows up in other cave drawings. This may be a very clever picture of the Bosses boat and asking for willing hands to repair it.

Aboriginal art tells a story. Here the hands seem to suggest a code like (not secret) communication among the groups. Palms up, palms down right hand and left hand. Hand proportions, female, male and hand size. That could create a bunch of signals.

Down in the lower right you see that hand pressed outward to the viewer and the suggestion of a face looking back at us. Low left is a little flower, upper right a vignette of an amphitheater that is coming out of the tail of the headdress.  This photo shows how and where the drawing occurred.


Sans tribe cave art

This morning I’m wondering how the San tribe got called Bushman and why that name obfuscates their incredible intelligence.

Behind this drawing on the cave wall (THE cave wall) notice the earth’s striations. These woeful figures are sandwiched between two actual earth shattering events. See the white striations behind them a couple of inches apart? Those are most likely volcanic ash remnants and the reason these folks had to live in the the shelter of the cave.

The young person on the left is kneeling on the beginning layer of damage and is lamenting the conditions brought about by this newly scorched earth.

The Lady sitting on the stump is woefully staring back through time ( the upper white ash line) and remembering the harsh environment her family had to endure to stay alive.

The drawing on the right, is definitely a male standing in the middle of two ashy time lines, despondent over the conditions his family is enduring.

The good news is this is being drawn by an artist in the cave many years (rock striations) later.

This artist stood back and read the cave wall then added his comments to the correct time- line-layers of stone.


My wife purchased this drawing at an estate sale in North Florida. It has the characteristics of the Aboriginal San tribe cave drawings in South America.

I can’t read the language but the date looks like 1980. It confirms the stories of tribes following the reindeer.

The major glacier created a large drought which drew down the worlds water level by 400 feet.

Earth dried up.

The present average water depth in the Bering Straights

is around

150 feet. During the land bridge period when the water was four hundred feet lower

, the land bridge would have been a 250 foot high ridge with the Diomede islands in between. Fairway rock lies between the Diomede islands and Alaska shore and would have also have been exposed by hundreds of feet. These islands are now at sea level but would have stood out during land bridge times.

The story is that the X2A Haplo came with them.

The Inuit tribe still survives in Alaska. The aborigines followed the reindeer across the ice bridge and made it their home. Others used the land bridge to populate North America…The Solutrians, mongols and Clovis. The Solutrians and Clovis may have been the same group and be cousins of the Nephelim.

The real story is how Aboriginal art got onto the Peruvian cave walls?img_58174f0651644

An Aboriginal wave migrated South following sea currents from South West Africa to the Shoulder of Mezzo America.

It was drought conditions which pushed the Aborigine to travel down to South America in deep water canoes. Others survived by following the herds up across the Bering straights into North America.

In Peru Archaeologists have found a female skeleton nicely laid out on a cave shelf which is now 40 meters under water. Nephelim skulls and Aboriginal art are also present.

The Aborigines met Nephelim with unsutured heads. To me this means that these Nephelim were first wave humans, a white race of giants who had not yet developed melanin and had traces of red hair.

This race of Giants would later develop collapsible skulls allowing more plausible vaginal births, brain expansion and melanin to protect their endangered skin.

Giants DNA was left in small patches around the world from an earlier Nephelim- only migration out of Africa.

The glacier was massive suggesting that water levels were very low and earth was terribly dry. What if the Nephelim were excellent swimmers? What would a thirty five foot swimmer look like? We know if our necks were 8 inches longer we could walk upright in water. The aborigines were marathon runners, it’s possible the Nephelim were

marathon swimmers.


The well-preserved, genetically intact skeleton of a teenage girl who lived about 13,000-12,000 years ago

What we have here is the unique combination of an adolescent skeleton with a Native American DNA haplotype,” said Prof Douglas Kennett of Pennsylvania State University, The site is now 40 meters below sea level and sea level rise would have raised the ground water level in the cave system and submerged everything between 9,700 and 10,200 years ago.

The cube of space

often called “The dancing cube” gives the illusion of a six sided shape changing into a perfectly formed cube.

Focus on the center of this diagram and a cube will appear.

Most Astrologers use an equal distance system in constructing their charts.

Remember that equal distanced Astrology charts are stylized. Wall charts like this one are an excellent teaching device and memory reference point.

In this chart we are focusing on the dancing cube and are going to try to suss out the geometry which allows it to happen. Notice in this profane diagram

the lines are infinitely long until the dimension is set with a circle. Your dwelling takes shape from here.

The actual measurements made on top of the mound vary because these lines are distinctively different in each location. Once you have discerned the cubit you use its multiples to set the height of the sighting pole and the dimension of the circle.

The cube of space changes dimension with each longitude/latitude movement.

I’m saying that the cube of space atop the mound just down the street will be a different shape and require its own astro-geological dimension.

This is why there are so many mounds in the world. Everybody wants one.

Cubits: Sacred and Profane

Cubits can be confusing let’s check them out.

There is a universal synchronicity captured in Geometry that is a relationship between all parts of the Universe and our bodies. Tall bodies, short bodies, malformed bodies all share this growth proportion.

The King’s cubit in building determines things like the height of windows the size of doorways, length of beds.. a builder really wants the king to be able to see out the windows and fit through the doors.

Another interesting relationship of golden section to the design of the human body is that there are:5 appendages to the torso, in the arms, leg and head. 5 appendages on each of these, in the fingers and toes and 5 openings on the face. 5 sense organs for sight, sound, touch, taste and smell. The golden section in turn, is also based on 5, as the number phi, or 1.6180339…, is computed using 5’s, as follows: 5 ^.5 *.5 +.5 = Phi In this mathematical construction “5 ^.5” means “5 raised to the 1/2 power,” which is the square root of 5, which is then multiplied by.5 and to which.5 is then added.

The second is the Sacred cubit. This measurement is taken from the measured balance of the Universe.


Notice that wells are associated with megalithic building. Find the well and measure it each morning at sunrise from solstice to solstice. Take this measurement and divide it by Phi and you have a universal measurement that is particular to that building event. Earth’s tidal water is in balance with all of the planet’s not just the moon.

The length of the Sacred cubit changes by locality.

The length of the profane cubit changes from King to King.

The Magician holding a rod of measurement says check out the tables of the four elements: fire, earth, air and water. Find the Phi and build your house.